0:00
Anthony Sinosuka Ginting is perhaps
0:01
badmitten's most inconsistent star. He
0:04
has shown many moments of brilliance by
0:05
beating players like Kento Mimoda,
0:07
Victor Axelson, Lindan, and more. But
0:11
unfortunately, he's only shown moments.
0:14
Though players and commentators such as
0:16
Morton Frost have described Ginting as
0:17
having the highest skill ceiling of
0:19
men's singles players at the time,
0:21
Ginting has never been able to
0:22
consistently produce those results.
0:26
Now, it's easy to say that Ginting was
0:28
simply too inconsistent and would have
0:30
won more if he made less mistakes. What
0:33
many people don't know, however, is what
0:36
made Ginting inconsistent. We're going
0:38
to discuss that in today's video and the
0:40
true reason behind Ginting's
0:46
performances. Speed is a double-edged
0:48
sword for Ginting. It is Ginting's
0:50
greatest strength, but it also masks
0:52
huge issues in his gameplay. One such
0:54
issue is Ginting shot
0:56
quality. Ginting often plays shots that
0:59
are easy for his opponents to cut off
1:02
and puts himself in a difficult position
1:05
from, but because he's so fast, he can
1:08
move to the next shot quickly and cover
1:10
himself. One example of this is
1:12
Ginting's forehand cross push. Against
1:15
left-handed players such as Mimoda, it
1:17
can be more effective because a backhand
1:19
cut off generally isn't as deadly as a
1:21
forehand one. You also don't need as
1:23
much height on your push to get your
1:24
opponent to turn their body on their
1:26
backhand side. One more time, we also
1:28
saw he played in Malaysia lost in three
1:32
games. So, um, he's really had some good
1:37
But against taller right-handed players
1:39
such as Victor Axelen and Chenl Long,
1:41
these forehand cross pushes are often
1:43
easy opportunities for Ginting opponents
1:44
to simply reach their arm out and play a
1:46
straight drive. When Ginting is at his
1:48
best physically and taking the shot
1:50
above the tape, this flat cross push is
1:52
less of an issue. The problem is more
1:53
revealed when he's not moving so fast
1:55
and taking the shuttle
1:57
lower. There are so many times where
1:59
Ginting still opts to play a flat cross
2:02
push when below the tape and he ends up
2:05
using his speed to chase the shuttle.
2:08
Keep in mind that when you play a fast
2:10
shot, you have less time to recover for
2:13
the returning shot. This is why Ginting
2:15
is so inconsistent. He's constantly
2:16
playing shots that force him to move at
2:18
his max speeds and not necessarily
2:21
forcing his opponents to do the same.
2:22
And you can see the problem when you
2:25
think about how you would perform if
2:27
you're moving at max speeds all the
2:29
time. One, it's very difficult to
2:31
control the shuttle when you're moving
2:32
super fast. Two, it's very tiring over
2:36
the long run. You lose focus and
2:39
ultimately make mistakes.
2:59
Building on top of Ginting's shot
3:01
quality issues, Ginting also frequently
3:03
makes the wrong shot choice. In our
3:05
eyes, Ginting plays toward the lines way
3:08
too much, particularly on his blocks and
3:10
nets, and often opts for cross shots at
3:13
bad timings. While this seems like a
3:15
good thing because you're moving your
3:16
opponent around, it's important to
3:19
consider your own movements on the court
3:21
well. An important idea in badmitten is
3:24
playing shots that make it easy for you
3:26
to move on the court. This is something
3:29
Ginting is not very good at. Whenever
3:32
Ginting plays straight blocks and nets
3:34
that you'll see in the clips, the angle
3:37
of the returning possible shots are
3:38
extremely sharp and difficult to deal
3:43
If Ginting opts to block to the middle
3:45
instead, the returning angle of the
3:48
shots become easier for him to respond
3:50
to. In fact, Ginting at his best has
3:55
generally opted to block
3:57
middle compared to Ginting when he's not
4:11
Oh, that was amazing. The same can be
4:14
said about Ginting's back court. Aside
4:16
from the bigger risk of hitting it out
4:18
when playing towards the
4:19
lines, which is a big problem for
4:21
Ginting, there is often a tendency to go
4:24
for risky smashes and play for winners
4:27
rather than safer neutral shots.
4:30
This goes back to the idea of Ginting
4:32
using his speed to chase the shuttle
4:34
rather than putting pressure on his
4:36
opponents. Too often, Ginting ends up
4:38
using a ton of energy, going for big
4:41
attacking shots in the back court and
4:43
moving full speed to follow up while his
4:47
opponent barely moves at
4:51
all. In our view, Ginting and fast
4:56
players in general need to focus on shot
4:58
quality first and foremost.
5:00
Putting pressure on your opponent does
5:03
not necessarily mean playing fast shots
5:04
at them all the time. A simple high lift
5:07
can still put a ton of pressure on your
5:09
opponent as long as you take the net
5:11
early. In our eyes, Ginting should study
5:14
how pre20200 Lindan plays. There are
5:16
three key ideas to take away from
5:18
pre-210 Lindan's gameplay for the
5:20
context of this video.
5:23
First, we can take a look at Lindan's
5:25
shot angles, particularly on his pushes.
5:27
What you should watch for is Lindan's
5:29
pushes will almost always force his
5:31
opponents to either jump, turn their
5:34
body, or both. There is almost never a
5:37
situation where his opponents can simply
5:40
reach out with their racket and play an
5:42
attacking shot. When it does happen,
5:45
Lindan is usually on the losing end of
5:56
Second, we need to look at Lindan's shot
5:59
placement. Yes, Lindan's shot quality is
6:03
great, and there are times where he is
6:05
pinning the lines, but more often than
6:07
not, his shots stay very much within the
6:10
boundaries of the court, especially his
6:12
smashes. This is in contrast with
6:13
Ginting, who often makes the mistake in
6:15
the back court by smashing out or into
6:18
the net. Again, it's not wrong to hit to
6:21
the lines and make it difficult for your
6:23
opponent to defend. But there's another
6:25
way to think about this. If you have
6:27
good power and or angle in your
6:29
shots, it's already difficult for your
6:33
control. Even if you hit in an area
6:35
where your opponent is able to defend
6:37
your smash within one step, how good
6:40
will the returning shot really be? This
6:42
idea is especially important to consider
6:44
because a player like Ginting is fast
6:47
and should theoretically be able to
6:49
follow up very quickly. You're much more
6:52
likely to get the point off follow-up
6:54
net kills or punishing a very bad return
6:57
from your opponent rather than gambling
6:59
off of pinning lines. In fact, Lindan
7:02
often scored much of his points not
7:04
directly from his backcourt, but on
7:06
follow-up shots. Ginting should look to
7:18
Speaking of speed, the third idea is to
7:21
emphasize taking the shuttle early,
7:24
particularly at the net. This idea stems
7:27
from another philosophy regarding
7:28
deceptions, where a deception's true
7:30
effectiveness comes from what kind of
7:32
shots you can threaten your opponent
7:33
with. While Ginting's technique and
7:36
shots are always tricky to deal with,
7:38
what made him so much more deceptive
7:39
before was because of his speed and
7:42
ability to take the net early. When your
7:44
opponent is scared of the fast shots
7:46
that you're immediately able to play
7:48
when you take the net early, that's when
7:50
holds and deceptions to play slower
7:52
shots become more effective. This is why
7:54
Ginting nowadays doesn't perform as well
7:56
as before. His technique is still good,
7:59
but when his opponents are not as rushed
8:01
to prepare for a fast shot, they can
8:03
slow down their footwork and have better
8:05
split step timings. And we are aware
8:07
that potentially lower motivation levels
8:09
to train and an aging body can make it
8:11
difficult for one to move fast all the
8:14
time. Thus, one thing Ginting can do is
8:18
focus more on playing neutral shots in
8:20
the back court and prioritize a quick
8:23
follow-up instead of jumping for full
8:25
smashes all the time.
8:27
He can look to use slices and half
8:29
smashes that keep him in position more
8:31
often and look to change speed at the
8:37
court. If you're a fast badmitten
8:39
player, it can be easy to forget about
8:41
shot quality and shot choice because
8:44
you're quick to change directions and
8:45
cover the court. Instead of using your
8:47
speed to control your opponent, you end
8:49
up using your speed to chase the
8:50
shuttle. And when you have to move so
8:52
fast all the time, it tires you out and
8:55
hence makes you more inconsistent as
8:58
diminishes. This is ultimately why
9:02
inconsistent. His shot choices and shot
9:04
quality are frequently gamles and the
9:07
odds are not always in Ginting's favor.
9:09
Do you think Ginting will make a
9:11
comeback? Let us know in the comment
9:13
section below. If you like this video,
9:15
make sure to hit the like and subscribe
9:17
button so you don't miss out on our
9:19
future videos. As always, thanks for